John Lynch Sculpture Gallery

GALLERY OF WORK FOR SALE

Call or message for latest prices. Pay no commission. Price includes delivery and installation within 100km of studio.

FREE-STANDING SCULPTURE (IN-THE ROUND)

Carrara statuary marble.70x30x30 cm, 50 Protected Head is a reflection on the legacy of Covid times and the changes wrought on society. We all adapted, and adopted new cultural protocols such as mask-wearing. This is not just about mask-wearing but uses hyperbole as a metaphor for cultural change and the ability of humanity to adapt.
Carrara statuary marble.
70x30x30 cm, 50 kg
Carrara statuary marble.
70x30x30 cm, 50 kg
Standing Sunbaker (after Dupain) is an appropriation of Max Dupain’s iconic photograph of 1937. Dupain’s bronzed male figure is lying without care and at one with the beach in dazzling sun. By standing the figure and exposing his face, but maintaining the pose and body language I have introduced uncertainty and perhaps a fragility to the male stereotype. In addition, the use of an expressive technique of direct plaster and colour provides a counterpoint to the monochrome and smooth powerful forms of the Dupain figure.
I hope I have created a sunbaker for the ages, one of a sensitive male that exposes himself to the world with thoughtful awareness while still being one with nature.
Standing Sunbaker (after Dupain)
Direct plaster (Ceramaplast) on steel armature, acrylic paint.
55x65x18. 8kg
The Family relates ubiquitous vessels of today to the classic amphora form. This relationship can be interpreted in multiple ways: historically as the development of form and culture over the passage of time; structurally as the common but thoughtfully designed plastic, disposable containers are seen anew; culturally as a reflection on containment changing ideas of value. A family of vessels.
Amphoras often contained life essentials in the ancient world: water and olive oil. They also were given to victors and winning athletes. We may reflect on our disposable society today, but common amphoras were usually disposed of just as we dispose of the well-designed but unloved vessels of today.
Hoody. Sandstone
The answer and the question. Paper fibre, acrylic
Environmental Warrior. Sandstone.
Sculpture by John Lynch for sale
‘Diprotodont Emerging’
Sculpture by John Lynch for sale
‘Tectonic’. Chillagoe marble, terrazzo.
Sculpture by John Lynch for sale
‘Barren’. 40x25x25. White beech, steel section, acrylic paint.Barren is an easy sculpture to understand. It uses the juxtapositioning of two contrasting materials, one from the natural world and one from the built world. The bee form is beautiful, but like a ghost. It searches for food on a barren and brutal unnatural object as it instinctively attempts to continue its life purpose.Barren is an easy sculpture to understand. It uses the juxtapositioning of two contrasting materials, one from the natural world and one from the built world. The bee form is beautiful, but like a ghost. It searches for food on a barren and brutal unnatural object as it instinctively attempts to continue its life purpose.
Sculpture by John Lynch for sale
High Country. 35x50x15.Chillagoe marble, steel.High Country is made from Chillagoe marble used sensitively to represent a landscape. It has the format of a landscape painting and uses mark making and texture to represent the country in a similar way to brush strokes. The stacked, shallow perspective builds to the crown of polished marble at the top. In addition, the nature of the material is acknowledged as once being part of the earth in the Atherton Tablelands. It is a mineral. The robust, brutal, rusted steel base provides a strong horizontal and anchors the work. The steel I-beam reminds us that mining is also part of our landscape in Australia and may bring to mind contentious issues around conservation and indigenous land rights.
Three-month Lockdown. Wood, acrylic paint. 75x40x20.
Three-month Lockdown. Wood, acrylic paint. 75x40x20.
Three-month Lockdown. 80x40x35. Wood, acrylic paint.Three Month Lockdown is a record of that time when we all adapted and looked inward. It was also a time when I was able to make more art and spend time with nature … and not get my hair cut. Yes, that’s a Willy Wagtail. When you are working with a mallet and chisels, animals come around.
Cultivator5 is a sculpture by John Lynch
Cultivator 5. Found object and recycled Oregon. 60x40x40
Cultivator 5 is a sculpture by John Lynch
Cultivator 5. 40x50x30. Found object and recycled Oregon. 60x40x40
Here Comes the Sun (2)
Here Comes the Sun (3)
Sculpture by John Lynch
Here Comes the Sun. 55x50x30. Gosford sandstone. 70 x 40 x 45. The title appears to reference the beautifully mellow Beatles song but the sculpture is actually appealing to the audience to take action on climate change. The title acts as a folly to provoke the audience. I have used elements of the Baroque style such as expression, body language, hyperbole, movement and space and appropriated the face of Daphne from Bernini’s Apollo and Daphne to instil drama and create a sense of urgency. The sun is represented as menacing and threatening, just as Apollo is portrayed in Bernini’s masterpiece. Art in the Baroque period was designed to appeal to the human emotions. I am using it for just such a purpose in the 21st century.
Sculpture by John Lynch for sale
‘Font’. 45x25x20. White Beech. We all know about water, but much of our continent’s fresh water is under the ground. Subterranean. I imagined that environment and created Font. A font is a vessel and a giver of life. Both physical, and for some, spiritual. Water refreshes, cultivates life, heals and cleanses. I like the idea of a subterranean vault feeding back to the surface. I have also been influenced by Istanbul’s mysterious underground cavern of water, Basilica Cistern. An underground cathedral of water with columns and arches supporting the ceiling.
Stargazing. Carrara statuary marble.
Stargazing. 40x35x20. Carrara statuary marble. Stargazing reflects on the stillness and being of laying back and gazing at the night sky. There is a rock formation where I live that inspired me. Stone is of the earth but holds the ancient histories of the universe in its minerals. The veining of the marble somewhat resembles a galaxy or gas clouds. The head is simplified to the point of it being just a large pebble.
‘Dolce Vita’ Carrara statuary marble
Megafauna. Sandstone
Reconciliation-looking-listening-going-forward. Wood
bush-turkey-dreaming. Unique bronze. Collection of Gold Coast Art Gallery
Tortoise Line. Bronze
Bundjalung
Cultivator 5
Megafauna 1
angophramorhosis
Portrait of Patrick White in wood and found objects
Sandstone sculpture by John
John working on sandstone piece ‘Eco Warrior”
Studio crane at work
Lifting a block of sandstone
Wood carving underway
Polishing marble
Hand lettering in stone

124

Subjects offered

267

Number of Classrooms

169

Distinguised Professors

10100

Current students enrolled